AD備援+分散式檔案系統複寫

AD備援+分散式檔案系統複寫

筆記大綱

原機:windows 2003 server sp1 AD伺服器(DC)

前置作業
1.DC的IP設置
A.DC1的IP
假設
         192.168.0.1
         255.255.255.0

DNS:192.168.0.1(DNS SERVER在DC1)

B.DC2的IP設置
假設
         192.168.0.2
         255.255.255.0

DNS:192.168.0.1

(DC2的DNS設置要DC1的.如果DC1報銷了，DC2升為主AD，那DNS SERVER  要改變為192.168.0.2 因為DNS SERVER原為DC1，既然DC1報銷那DNS也報銷，DNS SERVER也要在DC2啟動)


1.先將原機DC1升級樹系(ADPREP)
A.將R2第二張CD中的\CMPNENTS\R2\ADPREP目錄copy到已有的DC1(win2003sp1+ad) 上


B.開始/執行/ CMD 開啟DOS命令程式，先以 CD ..  進入ADPREP目錄

adprep /forestprep (執行後 出現執行訊息 輸入 C 再按 ENTER 執行)

adprep /domainprep

adprep /domainprep /gpprep

2.DC1執行完第1步驟後，繼續升級SP2 +R2(未執行ADPREP無法繼續升級R2)
3.另架一台新機DC2:WINDOWS 2003 SERVER R2
4.將新機加入網域並安裝DNS(如果此台不做DNS SERVER 可不安裝)
5.將新機升級AD備援DC
6.建立複寫資料夾(兩方權限要夠)
   資料夾權限:EVERYONE 設完全控制
   資料夾隱藏:建立共用時，資料夾名稱要加$。(僅在網路芳鄰或共用分享時隱藏)
   如果公用資料夾分享要連結可用手動輸入即可取用
7.建立分散式檔案系統複寫

The Photoshop CS3/CS4 WOW Book

The Photoshop WOW Book, now in its eight edition, has been around since Adobe Photoshop 2.5. It has enlightened and inspired graphics designers, illustrators, and photographers for many years. This latest edition, the first in 4 years, updates to the latest functionality of CS4, but these will also work with work with CS5 as well.



The Photoshop WOW Book contains step-by-step tutorials for creating both commercial as well as fine-art images. This book has been used in classrooms all over the world and has been published in several languages. This book is 800 pages in length and is divided into 11 chapters.



Chapter 1, "Fundamentals of Photoshop," begins with an overview of how Photoshop works. That is, how it organizes information when you create or edit an image, how you interact with the program, and what it takes to keep things working smoothly.



Chapter 2, "Essential Photoshop Skills," are at the core of Photoshop operations. These include working with brush-based tools, selections, masking and blending, as well as transforming and resizing images. These along with working with Smart Objects, Smart Filters, and applying Layer styles are introduced in this chapter.



Chapter 3, "Getting In, Going Fast & Getting Out," now covers the best way to get images into and out of Photoshop. It also provides hints as to how best to organize your files so as to find them more easily as well as how to shift some of your workflow to Photoshop Actions and automation skills.



Chapter 4, "Color in Photography," shows that color is a vital component to the way that we express ourselves in images and graphics. In Photoshop there are a powerful set of features that are dedicated to supporting your needs as you choose, apply, and change colors. These concepts are introduced in this chapter and carried throughout the book.



Chapter 5, "Enhancing Photos," is a fundamental part of what Photoshop is all about. It has a lot of tools for accomplishing the task of getting the best possible reproduction of a photo, including the fullest possible range of accurate tones and color. In this chapter you will learn a wide number of enhancements that you can do to a photo.



Chapter 6, "Painting," is not something that Photoshop is always considered for, but it does have a wide range of tools that will allow you to stroke paint onto the canvas. This chapter introduces the painting and cloning tools and how they can be used effectively.


Chapter 7, "Type & Vector Graphics," now introduces an array of typesetting and vector-based drawing capabilities that Photoshop contains. They rival some of the best features of PostScript drawing and page-layout programs such as InDesign, and Illustrator. This chapter will show you how to use them effectively.



Chapter 8, "Special Effects for Type & Graphics," will show you what happens when light and materials interact. Whether from simple drop shadows, or complex reflections and refractions of chrome, by using Photoshop Layer styles, you will be able to create great effects for graphics and type.



Chapter 9, "Putting it All Together," now takes all that you learned earlier and puts it together to show you how to combine photos with each other as well as with non-photographic elements.



Chapter 10, "3D, Video & Animation," is focused at Photoshop Extended edition, where you will find the tools that give you the ability to work with 3D models, extracting stills from a video, some video techniques, and working with animation.



Chapter 11, "Measuring & Analysis," shows how Photoshop has moved from the photographic realm into the world of science and technology. It has the ability to count specific features within an image as well as analyze the data contain within the image.



The Photoshop WOW Book CS3/CS4 is really a great reference book for any Photoshop based designer, illustrator, or artist. It is a dense, thick book with full color illustrations, and it provides such a rich set of recipes and techniques that it could easily become one's go-to reference book.



The first four chapters provide a lot of behind the scenes of how Photoshop "thinks" that has a lot of interesting information. There are quick sections which are short, and "Find out More" boxes that lead to more information. There is also a DVD that includes lesson files as well as presets, actions, patterns and textures. If you want to learn how to wow in Photoshop, then I highly recommend The Photoshop WOW Book CS3/CS4 .






Read more: http://blogcritics.org/books/article/book-review-the-photoshop-wow-book/#ixzz1h0A6G2zE


Read more: http://blogcritics.org/books/article/book-review-the-photoshop-wow-book/page-2/#ixzz1h0AEAf00
 
中文版分為兩冊
The Photoshop CS3/CS4 WOW Book 影像編修 此為第一冊
The Photoshop CS3/CS4 WOW Book 影像特效 此為第二冊
 
以上整理

夜與相機

手握相機開始追尋以往的感覺，消逝已久的感動或是迷失，拍攝追尋的目標帶著一點點的酒醉，快門喀擦地響聲墜入無限的迷茫，我喜歡這種迷茫，悄無聲帶著一個人在空氣中迴盪，此刻按下快門的無感，以及後續帶來更多的虛幻。機械的轉輪金屬的碰撞，好有一致性的飄盪，似乎只有機械相機才有的服貼，聲音與觸覺的合拍。

追著銀色金屬的閃亮，那光刺激著眼。心卻是渴望持續，空間只有光與我的對話。

關於材料的收集

今天不是文章的文章，像是自言自語的筆記。
樹的收集持續，再加上一樣，卡通版手繪電繪的樹的收集。
文字造型的收集。法國招牌的收集。
名片的收集。收集商家的名片。

假我與真我

P字象徵我，而稻穗象徵鄉村，以此做為我的始點，純樸的環境，沒有分際的我。

四個切割的人像，將頭像切割成四個部分，左邊假我，右邊真我，或兩個換過來也可以，我就是我，為什麼幻化成四個奇特的切割。有角的骷顱頭，與人臉左下部分，這個半部暫時稱為假我，假我不是我，外在看到的我，看起來一切很正常，但為什麼有骷顱頭和人臉之分，骷顱頭象徵有時候對人的反應，以直報直，以德報德，有爭執時，當據理力爭，有時候那臉在外人看來就像惡魔的臉，惡魔就是人死後變成，人死當然就變成骷顱頭，長角就是極惡的意思，好像面目可憎，我不喜歡這樣的我，但不得已而成為這樣的我。人臉屬於正常的臉，以德報德，人以禮相待，而當以禮還之。這樣的人臉的我，有時候也不喜歡，虛假來而又虛假去，所以左邊象徵假我。

正常有頭髮的人臉，和邪惡齜牙般的人臉，先講前者，內心真實思考地的我，想法既天真又混沌，其實沒有外表那樣，卻必須做足一切厭惡的事情，但也懶散不得不做，需要被鞭策的一個內在我，常常夢幻不切實際，卻又沒有實踐的勇氣，於是就出現邪惡的我。邪惡的我是鞭策的人，不斷跟您訴說利害關係，想得到一切必須卯足各種手段，不惜代價，這時我又要提到內在我那膽小的心靈矛盾去阻止，一個鞭策一個阻止，這就是真我。

於是最後為了找尋真理，我坐在書桌前，衡量這四個分裂的頭像，而其實完整頭像的我正在評估這四股不同的拉扯，分身乏術的思考，其實這才是我，尋求真理的我，所以必須不斷去冥想，假我與真我的抗衡，而真假我其實又不存在，存在的我的思考的我，正在邁向一個光亮的地方，接近真理的一個地方，藉由階梯象徵每一階的努力與收穫，每一階的阻礙與困難，最宗開啟那扇光的門，進入不是代表成功，而是你拿到張入場卷，走向更無垠的盤根錯節，最後僅在樹梢，萌發一小搓的嫩芽，內心的我的一點外發。

兩隻魚，其實是世界，不斷變化的世界，就像太極，我擷取明暗來象徵，其實完成的背後又是零的開始。我達到一個階段又是從零開始邁向另一個階段。

不寫不能進步

文章就是要常寫
寫文章需要持之以恆
文章的表現來自不斷敘述事件，事件的敘述來自每天的生活，生活的當下隨著時間流逝發生很多的事件，所以只要活著，事件就會不斷的發生，因此會有許多題材的出現。
題材就是不斷發生在生活周遭的事件。

複雜的想法

左眼餘光，一縷細絲，看見鏡中的無采的自己。一直有個思緒不斷纏繞，想擺脫卻是糾纏。心中不停擺盪。沒有停止，好混亂。想當甚麼卻立不下心志的煩憂。